13 Essentials from My Everyday Carry

 

GADGETS AND ACCESSORIES

Timex Weekender with Antique Watchband

I don’t think I’m exaggerating when I say that the Timex Weekender is the Chuck Taylor of watches: it’s cheap and looks good with just about everything. And if that’s not enough to make you want to go out and buy one right now,  how about the fact that it looks remarkably similar to the dime store watch from Pulp Fiction that Bruce Willis’s dad hid up his ass during the war. If you don’t know what I’m talking about, then you were probably homeschooled and you need to get off my blog and go take a crash course in pop culture or you’re going to have to suffer through me basically writing in an entirely different language.

I bought my first Weekender about 5 years ago at Walmart for right around $20 and lost it a year or so later during a bachelor party while doing backflips jumping off a trampoline into a giant pit of foam cubes with a hot girl in little more than yoga pants and a tank top. (Totally worth it.) Weekender II (above) was given to me as a gift the following Christmas, and last summer I finally found the perfect band for it at an antique shop close to where I live. There was a bucket full of silver watch bands selling for a dollar each. I couldn’t turn this one down. I’d give you the name of the shop, but it recently went out of business. Now just how hip is that?

Dunlop Trigger Capo and Tortex Picks

After years of ending up in impromptu jam sessions completely unprepared, I decided to add these to my everyday carry. Do I gig every day? No. Do I play music outside of my house every day? No. But when I reach for them a pick and it’s not there, I feel like the guy who showed up to the date without a condom. I don’t always need a capo and pick, but I’m not about to miss an opportunity if the occasion arises. And it always arises when you’re least prepared.

Stolen Writing Utensils

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From Flickr. Photo by Stephen Lilley.

I don’t steal many things. For years my pen of choice was a 0.5mm Pilot G-2 for writing and a 0.5mm mechanical pencil for music theory and aural skills homework, but recently I’ve been prioritizing things a little differently. I’d rather buy a few more groceries and swipe a pen than be hungry with the exact pen I want. Priorities change, and people complain less when you steal pens than when you steal food. Sounds backward to me, but that’s the world in which we live.

Zennioptical Tortoiseshell Plastic Glasses
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In case I lose a contact lens, I can still look somewhat sophisticated, and at just under $30, it’s no big loss if something happens to these glasses.

NOTEBOOKS AND BOOKS

I write. A lot. And one of these days someone is going to find all of my writing, and if this person somehow finds the patience and perseverance to sort through all of it, they’re going to find out how crazy and weird I am and it will probably ruin whatever legacy I have managed to leave behind. But hell, I have thoughts, ideas, and plans, and if I don’t write them down, they start to loop around in my head like a Maroon 5 song, and I can only stand that for so long.

Premier Legacy Lesson Planner

I’ve been using Google Calendar for years and I love it, but it’s just not the same as an analog planner, so I usually have to use both. This one’s not the prettiest I’ve ever had, but it’s formatted better for my life than any other. The front section has a monthly calendar where I can write my most important to-dos and appointments, and at the end of each week there’s an empty box where I can write my weekly goals and semi-long-term projects. There are only about 8 lines per day, but I’ve found that this keeps me from planning too many things and feeling overwhelmed. The rest of the planner features various teaching aids including an hour-by-hour lesson planner where I can write wonderful notes about my students as the day progresses.

Pentallic Illustrator’s Sketchbook 8″ x 5″

71ozejotgel-_sl1500_Pentallic journals are half the price of Moleskine, and for my purposes, just as good. Maybe it’s just me, but when I buy a cheaper journal, I feel less picky about what I write in it because I can afford to fill more of them up. By buying something that’s inexpensive, but still high quality and pretty, I encourage myself to writer more often. Pentallic helps me do both and encourages me past two of my worst blocks in writing. I like to use my journal for random thoughts, song ideas, and problem solving. I like to write my thoughts in order to solve my problems. I sometimes think of a journal as an ear that opens and closes on demand and never tires of hearing my words no matter how strange they are. It just runs out of space, and then I get a new one.

Songwriter’s Journal

The newest addition to my everyday carry. This one features lined paper on the left side for lyrics and staff paper on the right for simple lead sheets. I like that it also gives me a songwriting template by dividing the lines and staff into verse, chorus, and bridge sections. Song forms are easy to memorize, but visually filling out a template makes the writing process feel exponentially easier. As soon as I started compiling my ideas in this book, I realized that many of the lines I had written were already part of well-developed songs. This book is perfect for giving my songs just enough shape to play them, but helps me keep the ideas loose by only allowing me to write so much information. I love it!

Practice Journal

Found this specific journal at Palouse Books in Moscow, ID. It’s pocket-sized and it’s the best way I’ve found to keep track of my practice and progress. Lately I’ve been dedicating at least 30 minutes a day 5 days a week to learning and practicing new skills. I break my practice into 10-20 minute chunks. I set a timer, start the metronome when applicable, go until the timer stops, and record observations about my performance before moving on to the next thing.

That Book I’ve Been Meaning to Read

My girlfriend recommended this book to me about 6 months ago, and as much as I’m 1200enjoying it, I can’t seem to find the time to sit down and finish it. During my lunch hour I’d rather blog or read articles that I can quickly pick up and put down. In the evenings I like to cook, socialize, practice, record, and write songs. I do much better with audiobooks, and I had a lot more time for them last year when I was working at the greenhouse 10-20 hours a week (see “The 47 Books I Read in 2015”). That being said, the chapters in Perfume are mostly short, so if I’m sitting in a waiting room and tired of looking at my phone or I’ve gone through all the articles I’ve saved on Facebook, it’s nice to have a backup, and I can usually knock out a chapter before an appointment–as long as no one interrupts to ask what I’m reading.

IPHONE APPS

To keep a regimented practice routine, stay performance-ready, and keep a record of my songs, I like to keep the following apps in the songwriting folder on my home screen.

Cleartune Chromatic Tuner

iPhone Screenshot 1Best guitar tuner I’ve found in the app store, and next to my Boss pedal, it’s my very favorite. Visually mimics an analog chromatic tuner with two wheels. One wheel shows the general pitch while the smaller wheel on top shows how close you are to the actual pitch. Very accurate and simple. Saves me the trouble of digging around in my guitar case.

Pro Metronome

Because it’s important to be on time. Especially when playing music. I honestly struggle with playing to a metronome to this day. I’d much rather play to a drum beat. Even electronic drum beats are preferable when it comes to keeping time, but if you want to improve your timing, there’s nothing more true than the constant click. This specific app makes it super east to change tempo either with the wheel or by tapping the beat. You can also change time signatures, subdivision, and which beat is accented. You can even set it so that none of the beats are accented. This app is better than any real analog or digital metronome I’ve ever used.

Clock

For timing practice sessions as mentioned above. 10 minutes doesn’t seem like a lot, but once you start the click, the clock slows way down. A timer helps me to stay on task the entire time and keeps me from checking the clock every 30 seconds. With

HONORABLE MENTIONS

Music Theory Pro app, Notes app, Voice Recorder app, Bose headphones from Costco, red Hydro Flask travel mug from HyperSpud Sports, Schrade pocket knife, Neff backpack from TJ Maxx

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From Noodles to New Songs

Homecoming week at Moscow High School. Thursday's theme: future career day. Can you guess mine? Moscow High School. Mosocow, ID. October 8 2015.

Homecoming week at Moscow High School (my place of work). Thursday’s theme: future career day. Can you guess mine? Moscow High School. Mosocow, ID. October 8 2015.

These last few weeks I’ve been busier than ever, had more fun than ever, and been more productive than ever. Been on a few trips with my awesome girlfriend, and I’m learning to squeeze inspiration out of every moment I have the privilege of being alive on this planet. We’ve been hiking and going to concerts, movies, and art exhibits. One of the most interesting places we visited was the Pentalum which was temporarily set up on Washington State University campus in Pullman, WA. What appeared from the outside to be an over-sized bouncy-castle turned out to be quite a feat of architecture. From inside, the structure comes alive. Ethereal sounds come from every direction, and the lighting reminds me of something that only Mallarme could have described. It feels like a sort of hybrid of a cathedral and a cave.

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We come in peace! Had fun taking crazy pictures at the luminarium. Architects of Air: Pentalum. Pullman, Wa. September 26, 2015.

The following weekend we headed north to Spokane to play a show, and since I finally figured out how to use my antique credenza record player properly, I decided that I needed to buy some vinyl albums. Spent $30 at a store called 4000 Holes and picked up Briefcase Full of Blues by the Blues Brothers, Miles Davis Volume 1 by Miles Davis, and Hot Rocks 1964-1971 by the Rolling Stones. Almost picked up Nashville Skyline, but that would have meant sacrificing the Stones, and I’m too little country and too much rock and roll. After the record store we went thrifting for a bit before stopping at Nudo for some deliciously spicy ramen and then headed over to the venue. The crowd was feisty, but if there’s one thing that makes me feel at home, it’s playing to a rowdy pool hall in a good old-fashioned dive bar.

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NOM NOM! Lichtenstein and Ramen at Nudo in Spokane with my sexy date right before a show at Checkerboard Bar. For more on our recent adventures, check out her blog at olga.kozhar.com Nudo. Spokane, WA. October 2, 2015.

On Tuesday I had my first real free write in quite some time, and Wednesday morning I wrote three chorus sections to a new song. Now it’s Thursday night, I’m blogging, and I feel alive. Maybe this weekend I can finally take a few hours to start going through all the little puzzle pieces I’ve been recording in my Notes and Voice Memos apps for the past 3 or so years. Try to make sense of them. Or maybe this weekend I’ll finally sleep… XD

Posing outside the venue on Friday after check-in.

Posing outside the venue on Friday after check-in.

Bantering with the crowd.

Bantering with the crowd.

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Spinning my fresh finds on an old table.

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One of the more memorable and less buyable records I found while hunting for vinyl gold.

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Bartok for children? I love Bela, but someone please tell me how he makes sense for children? What’s next? John Cage for infants?

Practice, Practice, Practice

Been on vacation the past week and a half. I almost feel guilty saying “vacation” as most of this summer has been spent recording music, and I still don’t know whether that’s work or play. It’s hard to come back to Idaho after spending a week on the beach swimming in the warm yet refreshing Atlantic. But I digress. As much as I’d love to reminisce about my trip, I feel that this would somehow be the wrong time and place to do that. This may come as a surprise to some of my long time followers, but there are one or two things that I prefer to keep personal. I consider this blog more of a professional journal and a log of my progress as a songwriter. Or maybe I just need to wait to write about everything that happened last week.

Easing back into the rhythm of things this week. Left the place where I was staying in Florida at 9:00 AM Eastern on Monday and arrived at Girlfriend’s house in Washington (state) at 9:00 PM Pacific which adds up to 15 hours total travel time. Drove 5.5 hours to get back home on Tuesday evening. Unpacked and cleaned house a little bit, but struggled with a little bit of post-vacation and travel disorientation. It’s been too long since I’ve been on the road. I’m not used to this kind of thing anymore.

Spent Wednesday catching up on work, catching up on finances, and getting things ready for a small show at the University of Idaho on August 26th. I ran into a girl at a party a few weeks ago who books events on campus, yada yada yada, she emailed me while I was on vacation asking me to play a show with a price tag that I couldn’t turn down. Had to fill out some paperwork and start preparing a set for the show. I’ve been considering some changes to the way I play solo sets, but for now I may stay in my comfort zone. We’ll see what happens these next few weeks. Went to work in Pullman in the evening so I could save on parking fees. Had to get reoriented as the contractors have just finished adding on to my building.

This morning I decided to head to Pullman early instead of saving it for later so that I could work a few extra hours while I still had stamina. Helps to make up for income lost while out of town. Came home, ate lunch, and practiced for about an hour on acoustic guitar. Got through about 12 of the 18 or so songs on my set list for the 26th. Bringing back some older material. WAY older material, which I never thought that I would play again, but somehow, it just seemed to work.

Still want to practice more today, but my fingers are a little sore. My left thumb hates me when I play too many bar chords on acoustic. Electric is easy, but I’ll be damned if the thing doesn’t start sending me some signals that I need to stop playing when I treat an acoustic the same way. And I know better anyway. May have to switch guitars and practice electric for a little while, just to get fingerings and rhythm down. Acoustic works strength, speed, and precision. It’s like comparing endurance training to heavy lifting. One maintains and builds proper habits while the other builds muscle. But enough comparisons. I suppose I could get back to recording, but I feel like taking the last couple of weeks off got me out of the creative flow, and I need to play to start feeling like a musician again. Besides, I haven’t been playing many shows recently, and building this set list and making it strong are going to be hard work. And I need to get back into playing shows…

I’ve Snapped, But That’s Okay (And Song Previews)

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Image by openglam.org

Week 3, day 5. I think these headphones are officially molded to my head. The only thing taking me out of the house anymore is my part time summer job. I keep telling myself that this isn’t healthy, but I have so much momentum right now that to stop working would be like hitting a brick wall at 100 miles an hour. I didn’t sleep last night. I tried to go to bed at 12:30. Got back up at 2:00 and worked until 4:00 AM trying to get a keyboard part just right. Woke up at noon and started it again. I can’t help it anymore. I bounced the same track (sent it from program to disk) about 7 or 8 times today. Uploaded it for sharing with a few people privately about 3 or 4 times. Each time I upload it takes about about 20 minutes, so there was a lot of waiting. Briefly spoke with Girlfriend and family about vacation plans coming up next week. Was good to get some face time with real people, but all I could think about was finishing what I’m doing right now.

Finally starting to get some relatively decent sounds. Getting over the learning curve a little bit. Things aren’t taking as long. My playing is still a little rusty as I had about 3-6 months of basically not playing at all before starting on this project, but it’s all coming back, and I’m a stronger musician now because of it. I’m playing exactly what I’m thinking with minimal effort. When I have a sound or an idea in mind for a part, I know exactly how to achieve it, and it works. I just want to keep riding this wave. It’s so good to finally have a space to just let the ideas flow.

This project feels like the missing link. Before I had my own space, I just felt like I was losing idea after idea. I had pages and pages of notes during my last album of little tweaks that I wanted to make on each track or things that I wanted to try that would only take a few seconds each time, but I would have to wait for days…if I was lucky. Usually it was weeks or months before I could actually get in the studio and try what I was thinking. Now I can just do it and see if I like it, and it’s glorious. I feel free. I can’t…I just can’t even start…there aren’t words…fingers too slow…

But there’s no real point in going on about that. All I can really say is that having a place to record my musical ideas without having to write down every little thing or notate every little motif in sheet music form has made my life much much easier. Not that I regret having to learn notation. I feel like I’m a far better musician for learning it, but it’s still not the same as getting a feeling, picking up an instrument, and playing what I’m hearing in my head.

But seriously, enough about that. Because you all have been such good readers and because this is music–which is meant to been HEARD–I’ve decided to release some previews just so that you can get an idea of how the process is going. Right now I’m working with some covers as well as songs that I’ve either completely or mostly written so that I can focus more on learning how to record well. It removes a lot of pressure from the process and makes it a lot more fun. Hope you enjoy the work.

On Songwriting and Performance

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Hey all! I’ve been really busy with my new job at Moscow High School. I’m enjoying the work quite a bit. This semester I’ve been working with one student on a project concerning songwriting. It began with the study of Disney songs and kind of turned into a project about the craft of songwriting and the performance of a song. For part of this project, my student decided to interview peer musicians and songwriters as well as myself. I really liked her questions, so I’ve decided to shard the interview. Enjoy!

Do you prefer to work alone or collaborate? Why?
It depends what I’m working on. I tend to work alone, but I prefer to collaborate. The problem I often find with collaboration is that it’s really hard to find artists and projects that I connect with. I am currently soundtracking a play for a friend, and I really like doing that because I feel that the project is well aligned with my aesthetic. The content and message of the play are really great.

What does aesthetic mean?
Aesthetic to me means the image and the message that I want to send to the rest of the world through my music.

I know what you mean, but at the same time, I’m like, okay, that explanation is a little over my head.
It’s like this: everyone has an image of how he or she would like to present herself to the world. Aesthetic is the crystallization of that idea within the artist, and I often judge whether or not I have accomplished the communication of that idea based on the audience’s response.

When/if you collaborate, how do you do it without completely taking over?
I think they best ways to avoid competition are to have clearly defined tasks and to be open to changing your ideas if someone else comes up with something better.

When/if you work alone, how does one person handle all the responsibility?
I think that your fellow student had it right when he talked about patience. It takes a lot of patience to work alone because the process takes SOOO much longer. It also takes love. I made my last album out of love of what I was doing and the belief that it was valuable. That love and belief gave me the patience to push through to the end. It was really hard sometimes because my producer was working on a lot of other projects with people who were better known than me. We’d have to reschedule sessions all the time, and sometimes it felt like he was doing me a favor because we were friends rather than prioritizing me as an artist. I don’t know if that’s true for him, but that’s how I felt. On top of that, I was going to college and working, and my producer was touring with other bands while either doing sound or playing music, and he was recording all these other bands. As a result, I learned to use lists and to do some basic music notation. I would obsessively listen to all of the latest versions of my recordings and come up with each instrumental part piece-by-piece. I needed some way to track all of the ideas I had in my mind, and that’s when I started making lists and doing some notation. I also spent a lot of time listening to albums that I liked and figuring out what kind of studio effects they used. If I heard something I wanted to use for a particular song, I would scribble a note in a journal or on a scrap of paper and then transfer it to my list for the next session. Sometimes it was really hard because I could hear something in my head, but I wouldn’t know how to write it. So, I guess the short answer is love, obsession, persistence, and lots and lots of scratch paper. I probably killed an entire rainforest.

How do you begin to write a song? What is your inspiration for your music?
I think I work in a kind of collage form. I usually either learn something new in music or have kind of a lyrical epiphany. If it’s lyrical I’ll scribble down the basic idea in a journal or something and then let it sit for a bit. Eventually, I’ll have a few lines of lyrics that kind of go together. From that point, I’ll try to find the basic idea of what I’m saying and use that to fill out the rest of a section. Usually, this section becomes the chorus. Once I have a basic theme in the chorus I can form a story for the verses. As I’m doing this, I’m usually going back to my guitar and playing little riffs and chord progressions that I’ve come up with and trying to sing the lyrics over top. If the lyrics feel too awkward, I ditch the musical idea and try using something else. Sometimes I’ll come back to a thing that feels awkward and try it again, and every once in a while it ends up falling into place. Eventually I have a song. I’ve been kind of trying to refine this process, but I think that the key to inspiration is learning new things and interacting with that new knowledge.

If you write music with lyrics, do you begin with the music or the lyrics?
Well, I think I’ve answered that already, but the short version of my answer would be that it all happens at the same time. I let the mood of each one influence the other with the intention of creating a cohesive feel. I want the music and the lyrics to communicate the same thing.

What kinds of projects are you working on and what is your process?
Right now I’m working on a collaborative project with a playwright. For that, we just have long conversations about the style, feel, and setting of the play and try to figure out what it’s about, and then I go write. I’m also brainstorming for a cover album and trying to figure out what to do with the songs I’ve written since the release of my last album. Some of them are kind of funny and sarcastic while others are more serious. I’m trying to figure out if I want to release them both on one album or I want to release them on separate albums with different project (band) names. Right now I’m kind of at the beginning stage of my process. I’ve had some pretty radical shifts in my beliefs and worldviews in the last few years, so I’m doing some research and trying to figure out how to communicate my new aesthetic. This research right now involves reading and listening to lots and lots of books. In the last year I think it’s been over 50. I just need to fill up my mind with new ideas all over again so I have something interesting to pour out into my music.

How do you deal with performance anxiety?
That’s a hard question to answer. I don’t often get performance anxiety, so when I do have it, I’m pretty terrible at dealing with it. The best strategy I can come up with is to breathe, calm down, and take a few minutes to be alone. I like to find a quiet spot to center and focus. The bathroom works when nothing else is available. And then I have to remember to get over myself. Yes the performance is important, but no matter what happens, it’s a fleeting moment. Worst case scenario, nobody likes it, I get heckled, and I learn to change what I’m doing or to play to a different audience. Best case scenario, everyone loves it, and I feel amazing.

How do you get ready for a performance?
Practice. I mean it’s easy to get hung up on logistics such as advertising and making sure there’s a good turnout and figuring out whose PA system to use and how to get to the venue, but if you don’t feel comfortable with the material (and the equipment), the show is going to suck. This isn’t an absolute thing though. Sometimes I can get TOO familiar with the material. Sometimes if Imve played a song or a set a million times, it can start to feel dead. I need some newness and freshness. I need a little bit of thrill.

Do you ever feel like giving up?
I always never feel like giving up. And you can quote me on that. I constantly doubt myself and think that everything that I write is a big heaping pile of poop, but it’s that crazy obsession that keeps me going. It’s kind of an addiction. I want to give up sometimes, but I just can’t.

When I practice singing, I warm up first and then start working on my current repertoire. Are there any other practice strategies you would recommend?
I’ve read a lot of stuff about practice routines and taken courses from people who talk about discipline and setting practice times and stuff, but for me, it just starts feeling like a chore if I do it that way. I have to just practice when I feel like it, which is quite often, otherwise I stop liking it. And practice can be any number of things. Since I have basically two main instruments to practice, it’s really hard to give each one the appropriate amount of attention. And right now I’m working two jobs, so the only time I have is on the commute, so I’ll put on a CD with music and a melody that I really like in my range and sing along with that at different volumes. If it’s a singer that I like, I’ll try to figure out what that person is doing to get a certain sound. This doesn’t have to mean direct imitation. For instance, I really like Tom Waits, but I don’t have a gravelly voice, and I don’t really want to smoke a million packs of cigarettes to get the sound that he achieves, but he communicates a lot of emotion through the power muscles. (A lot of people mistake this for the diaphragm, but it’s actually your costal and intercostal muscles. These are, no joke, the same muscles that you use for pooping.) He also uses really loose and bluesy timing. When he repeats melodies, he will often change the phrasing slightly and unpredictably, but it always suits the moment. A few weeks ago, I chose a couple of his songs that had these qualities and just listened to them and sang along while driving. But I should also emphasize that this is just something I did without really thinking about what I was doing. Practice has just become a part of my life. I don’t have the time or the lifestyle to cram it all into a rigid schedule, so I’ve had to learn how to make it a force of habit. Any spare moment I have must be dedicated to making myself a better musician and artist.

What do you think about when you’re performing?
When I’m performing I just try to think about how much I love the music and how much I love what I’m doing. When I’m performing at the top of my game, I’m not even thinking about anything. I’m just letting the music flow out of me. I like it best when playing is feels like the unleashing of some repressed primal instinct. I like to almost lose my sense of consciousness and get lost in the thrill.

What gives you a sense of confidence when performing?
Just the thrill of being in front of people and feeling like they’re getting what I’m doing and what I’m saying. Just enjoying that brief moment when I get to completely expose myself to a crowd of people gives me a sense of confidence. I know that sounds weird, but once you’re comfortable with yourself as a person and you really like yourself, it’s almost more comfortable to be in front of a crowd without a mask.